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The Afyon Side of the Phrygian Valley, from the Black Rock to the Döğer Caravanserai
Cultural4 Stop

The Afyon Side of the Phrygian Valley, from the Black Rock to the Döğer Caravanserai

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North of Afyonkarahisar, towards the borders of Eskişehir and Kütahya, stretches an upland that formed a mountainous part of the region known in antiquity as Phrygia. The Turkish Culture Portal describes this area as the Mountainous Phrygia Region, while the Afyonkarahisar Municipality compares the rock monuments, tombs and natural formations around İhsaniye to an open-air museum. This route reads the Afyon side of that museum, starting from the black rock in the middle of the city and heading north.

The order is deliberately not arranged from oldest to newest; it follows the geography. The first stop is the castle, the symbol of the city, but the aim here is not the city view. The Phrygian traces and the four large cisterns on top of the rock are the first example in the city of the rock-cutting you will see throughout the day; the name Hapanuva, left from the Hittite period, also recalls how old a route of passage this region is. After the castle you drive north on the Eskişehir highway to the Göynüş Valley, about thirty kilometres beyond the city. Aslantaş with its lion reliefs and Yılantaş with its toppled block are monumental rock-cut tombs where the Phrygians buried their nobles, and they form the longest stop of the route. After the valley the road continues towards Döğer; Aslankaya on the shore of Lake Emre is a Phrygian rock facade standing in open ground, with a pediment of sphinxes and a rearing lion. The route ends in the same town at the Döğer Caravanserai, built by Murad II in 1434. So the day closes by showing how, roughly two thousand years apart, the same volcanic tuff became both a monument and a roadside inn.

The castle climb is on foot; the steps have been restored but the slope is steep. The other three stops are visited by car; you turn off the highway at the 32nd kilometre for the Göynüş Valley and at the 36th kilometre for Aslankaya and Döğer. Inside the valley there are short walks between the monuments, the ground is earth and there is little shade. A hat, water and comfortable shoes are the basic equipment for this route. If you have time left in the valley, you can also walk to the Maltaş Monument, about five hundred metres from Aslantaş and Yılantaş; according to the Culture Portal, this facade, whose front lay buried under stream alluvium for centuries, was fully uncovered by a rescue excavation in 2021. The sources also record that Aslankaya was discovered in 1884 by the researcher W. M. Ramsay and that the Döğer Caravanserai was restored by the General Directorate of Foundations in 1991-1993; so on this route you will see works that are both very old and recently brought back into view.

Do not touch the rock monuments or climb onto them. The sources write that most of the heavy damage on the lower part of Aslankaya was done with dynamite and that the tuff rock also sheds pieces on its own; these works are fragile. Before you go, confirm with the Afyonkarahisar Provincial Directorate of Culture and Tourism whether the interior of the caravanserai is open to visitors and what the current conditions are. The rock settlements at Ayazini and Yazılıkaya on the Eskişehir side are outside the scope of this route; if you have time, leave them for a separate day.

Sources

Afyonkarahisar Merkez, Afyonkarahisar
Cultural
4 Stop
~3 h 45 min at places
Travel ~46.9 km · 1 h 18 min
Total ~5 h 3 min
October 19, 2026

Route Stops

1
Afyonkarahisar Kalesi

Afyonkarahisar Castle.

~1 h here

Begin the route at the foot of the black rock rising in the middle of the city; the Afyonkarahisar Municipality notes that the castle is reached from the centre by a short walk, following direction signs and marked paths. This morning you are climbing the castle not for a city view but to set the context for the Phrygian monuments you will see during the day. The rock, as described by the municipality and the Culture Portal, is a volcanic mass rising 226 metres above the ground. The TDV Encyclopedia of Islam writes that the city was founded at the foot of this rock, at an altitude of 1010 metres above sea level. Because the stairs have been restored the climb is possible today, but the slope is steep and you should have comfortable shoes and water with you. On the way up, the first layer to keep in mind is the Hittite period. According to the sources, around 1350 BC the rock was used as a fortified position during the Arzawa campaign of the Hittite king Mursili II and was given the name Hapanuva, meaning High Hill. The English Wikipedia states that the first structure on the summit was also built in the time of Mursili II; so this rock was a lookout point even before the Phrygians. When you reach the summit, what you are really looking for are the traces of the Phrygian period. The Culture Portal records that cultural traces of the Phrygians, who lived in Anatolia between 1200 and 700 BC, have been found on the summit and that there are four large cisterns here. Be careful when approaching the mouths of the cisterns and do not step outside the protected area. These arrangements cut into the rock are the first example in the city of the rock-cutting you will see in the Göynüş Valley a few hours later. The walls belong to later periods; in the Roman and Byzantine age the rock was surrounded by walls and took on the appearance of a castle. The Turkish Wikipedia writes that in this period the castle was known as Akroenos, and the TDV Encyclopedia of Islam notes that the Akroinon Castle of the Byzantine sources is thought to have stood here. Look for the Seljuk layer in the walls, because according to the Culture Portal the walls were repaired in 1235, in the reign of Alaeddin Keykubad I, by the castle warden, the architect Bedrettin Gevhertaş. The same source reports that in 1573, on the order of Selim II, the towers, cisterns and keep were repaired once again. Drawing on Evliya Çelebi, the TDV Encyclopedia of Islam writes that in the Ottoman period the castle had around two hundred guards and a prison. The Turkish Wikipedia notes that the historic fabric of the castle has largely not been preserved while the remains still stand in place; know that on the summit you will be reading overlapping layers rather than a complete building. On the summit look north first, because the rest of the day lies in that direction and the next stops are on the Phrygian upland more than thirty kilometres north of the city. Then turn to the old neighbourhoods below; according to the TDV the city began to spread outside the castle and towards the south-western slopes of the rock in the 13th century. The same encyclopedia writes that the name Karahisar comes from the dark colour of the rock and the fortress on top of it; you will photograph this colour best in the soft morning light. The descent can be more tiring than the climb, so do not hurry on the steps. After coming down from the castle, get into the car and set off north on the highway between Afyonkarahisar and Eskişehir, towards the turn-off for the Göynüş Valley.

Source: Kültür Portalı, Afyonkarahisar Kalesi; Afyonkarahisar Belediyesi, Afyonkarahisar Kalesi; TDV İslam Ansiklopedisi, Afyonkarahisar.

Afyonkarahisar Castle sits on top of the black rock that gave the city its name, and from almost any corner of the city it dominates the skyline. The hill is a volcanic rock mass that rises about 226 metres above the surrounding plain. The Kültür Portalı describes the castle as a natural rock rising among the old houses of Afyonkarahisar. The dark colour of the rock and the fortress on top of it are the origin of the name Karahisar, the black fortress. The history of the castle reaches back to the Hittite period. According to the Provincial Directorate of Culture and Tourism, the rock was used as a fortified position around 1350 BC during the Arzawa campaign of the Hittite king Mursili II and was given the name Hapanuva. Sources explain this name as "high hill". On the summit there are traces of the Phrygians, who lived in Anatolia between 1200 and 700 BC. The same sources mention rock-cut cult areas and four large cisterns there. In the Roman and Byzantine periods walls were built on top of the rock, and the hill took on its present appearance as a castle. In the Byzantine era the place was known as Akroinon. The TDV Encyclopedia of Islam notes that the Akroinon fortress mentioned in Byzantine sources is thought to be this rock. According to English Wikipedia, a major pitched battle was fought in front of the fortress in 740 between the Byzantine army and Umayyad forces. Folk tradition holds that Seyyid Battal Gazi, a hero of later epic tales, also fell in front of the castle in this battle. An inscription on the nearby Altıgöz Bridge shows that the town passed into Turkish hands in the early 13th century. In the Seljuk period the castle became important as the place where the state treasury was kept. Under Sultan Alaeddin Keykubad I, the architect Bedrettin Gevhertaş, who was the castle warden, repaired the walls in 1235. In the same period a small masjid and a palace beside it were built inside the castle. Turkish Wikipedia relates that because the treasury was kept here the castle was also called Hisar-ı Devlet, the fortress of the state. The name of the Seljuk vizier Sahip Ata Fahreddin Ali led to the town being known as Karahisar-ı Sahip. In the Ottoman period, in 1573, Mahmut Bey repaired the bastions, cisterns and tower on the order of Selim II. In the 17th century Evliya Çelebi wrote that the castle had about two hundred guards and a dungeon where political prisoners were held. After the Tanzimat reforms the castle slowly lost its military importance. The TDV Encyclopedia of Islam also describes how the town grew together with the castle. Until the middle of the 12th century the settlement lay inside the castle, and in the 13th century it spread to the southwestern foot of the rock. In the following centuries new neighbourhoods were founded to the south and east of the castle. Today the Kalealtı area at the foot of the castle, with its bay-windowed houses and wooden shutters, is one of the best preserved parts of this old fabric. The castle can be reached on foot from the city centre; Afyonkarahisar Municipality notes that the way is short and marked with signposts. You climb to the summit by stone-stepped stairs built into the slope of the rock. The Provincial Directorate of Culture and Tourism records that the walls have been repaired and the access stairs renewed. The climb is steep and long, so comfortable shoes and a bottle of water are a good idea. In summer there is no shade on the rock at midday; going up early in the morning or in the late afternoon is both cooler and better for the light. At the top, as you pass among the remains of the walls, look at the cisterns cut into the rock and the foundations of old buildings. From the summit you see the city spreading over the plain, its domes and minarets, and the hills stretching away towards the Phrygian highlands. The wind can be strong on the summit, so keep away from unrailed edges when you climb with children. For visiting conditions and any closures for maintenance, check the current information with the provincial culture and tourism directorate or the municipality. After coming down, wandering through the old streets at the foot of the castle is the best way to read the castle together with the city. The Victory Museum and Anıtpark are within a short walk.
2
Aslantaş ve Yılantaş

Aslantaş and Yılantaş.

~1 h 15 min here
Kayıhan Mahallesi, Göynüş Vadisi, İhsaniye / Afyonkarahisar

According to the Afyonkarahisar Provincial Directorate of Culture and Tourism, the Göynüş Valley is reached by turning left at the 32nd kilometre of the Afyon-Eskişehir highway and going on for 1.5 kilometres. The English Wikipedia places the site 11 kilometres east of İhsaniye and about 30 kilometres north of the city, beside the D-665 highway. The valley lies within the Kayıhan neighbourhood of İhsaniye district, and the Culture Portal describes it as part of the Mountainous Phrygia Region. After leaving the car, walk to Aslantaş first, because the two monuments stand on the same outcrop and very close to each other. Look at the facade of Aslantaş first from a little distance, from a point where you can fit the whole of it in the frame. According to the English Wikipedia, the monument is a single block of rock 11 metres high, with both sides and the front face flattened. On either side of the doorway you see two lion reliefs rearing on their hind legs and facing each other. The Culture Portal writes that there is a lion cub beneath the feet of each lion; these details are worn and can be made out better when the light falls from the side. Look at the mass resembling a tree of life above the doorway and at the winged sun disc motif spreading to both sides above it. Wikipedia also notes that there are steps on the upper part of the rock; climbing them damages the monument, so watch them from the ground. The burial chamber can be seen through a small doorway, and the Culture Portal describes the slightly vaulted ceiling of the chamber and a small cell with a kline on the left. The sources do not fully agree on the date of the monument: the Culture Portal links it to the 7th century BC as the tomb of an important Phrygian king, while the English Wikipedia gives a range between the early 8th and the late 7th century. Then move on to Yılantaş; the Culture Portal places it about eighty metres west of Aslantaş, while Wikipedia gives around seventy metres. Here you will find not a standing facade but a huge block of rock that has toppled over and broken apart. The Culture Portal writes that the collapse was probably due to natural causes, and the English Wikipedia also mentions an earthquake or another natural disaster as a possible cause. On the outer face of the fragments, look for the head and claw sections of the lion reliefs. Wikipedia reports that the rock was called Yılantaş because local people mistook the worn claws for snake heads; the Culture Portal, on the other hand, speaks of a relief of two intertwined snakes above the doorway and states that it lies beneath the overturned rock. The rear and left side walls of the ruined burial chamber can still be seen on the bedrock. The sources mention stone benches called klinai inside the chamber and roof rafters carved in relief into the rock. The Culture Portal writes that, based on the palm-leaf column capital on the kline, the monument is thought to have been made around 700 BC. After seeing the two monuments, if you have time, you can walk to the Maltaş Monument in the south-western corner of the valley; the Culture Portal gives the distance between them as about five hundred metres. Over the centuries the front of Maltaş was filled with alluvium from the stream, and according to the same source it was uncovered in its present state by a rescue excavation in 2021. There is little shade in the valley, so carry a hat and water in the summer months. For photographs, shooting the facade of Aslantaş in slanting light, when the reliefs cast shadows, brings out the details. On the way back, return to the highway, continue north towards Döğer and turn north-west at the 36th kilometre.

Source: Kültür Portalı, Aslantaş, Yılantaş ve Maltaş Anıtı; Afyonkarahisar İl Kültür ve Turizm Müdürlüğü, Mezarlar ve Tapınaklar; Wikipedia, Aslantaş-Yılantaş.

Aslantaş and Yılantaş are two monumental Phrygian rock-cut tombs standing side by side in the Göynüş Valley, in the region known as Mountainous Phrygia in the İhsaniye district of Afyonkarahisar. In the sources the valley also appears under the names Köhnüş and Kohnüş. The tombs lie about 11 kilometres east of the town of İhsaniye and about 30 kilometres north of the centre of Afyonkarahisar. The Provincial Directorate of Culture and Tourism writes that the valley is reached by leaving the Afyon-Eskişehir highway and following a short side road. Knowing the background of the region makes the two monuments easier to read. According to the Governorship of Afyonkarahisar, Phrygian rule was re-established in the rocky and wooded country around Yazılıkaya and İhsaniye after the Gordion-centred order collapsed under the Cimmerian attack around 660 BC. The Göynüş Valley is one of the densest monument areas of this second period. Besides Aslantaş and Yılantaş, the valley also holds an open-air cult place called Maltaş and, in its middle, a rock mass known as Köhnüş Kale. Aslantaş takes its name, which means Lion Stone, from the lion reliefs on its facade. The two sides and the front of the single rock block, about 11 metres high, have been flattened. On either side of the small door of the burial chamber stand two large lions facing each other with their forelegs raised. The Culture Portal notes that there is a lion cub beneath the feet of each lion; these cubs are badly worn today. Above the door a mass resembling a tree of life is carved in relief, and above it a winged sun disc spreads out to both sides. Steps have been cut into the upper part of the rock. The ceiling of the burial chamber inside is slightly vaulted, and on the left there is a small cell with the couch, or kline, on which the dead was laid. Aslantaş is thought to have belonged to an important Phrygian king. The Culture Portal dates the monument to the 7th century BC. The English Wikipedia reports that two dates are debated, the early 8th century and the late 7th century BC, and that the later date is usually preferred because of the ornate facade and the small entrance. Yılantaş lies to the west of Aslantaş, within the same rocks and, according to the sources, some 70 to 80 metres away. This tomb, thought to have belonged to a noble, was larger and more impressive than Aslantaş. However, the rock into which it was carved was probably split and toppled by a natural cause, and today it looks like a shattered block. On one of the fragments the head and paws of a lion relief can still be made out. There are different explanations of where the name, which means Snake Stone, comes from. The Culture Portal writes that above the door there is a relief of two intertwined snakes and two warriors attacking them with spears, and that this part is hidden beneath the overturned rock. The English Wikipedia, on the other hand, reports that local people took the eroded lion claws for snake heads and that the name comes from this. The same source states that on the entrance facade two warriors with helmets, shields and spears stand as if guarding the door, with a Gorgon head between them. The back and left walls of the ruined burial chamber can still be seen on the bedrock. The rafters of the pitched roof are carved in relief on the ceiling. The Culture Portal dates the tomb to around 700 BC on the basis of the palm-leaf column capital on the kline, while the Dutch archaeologist C. H. E. Haspels proposed the 6th century BC. The first place to look in the valley is the facade of Aslantaş. Study the bodies of the lions, the sun disc above the door and the flat cut on the sides of the rock both close up and from a little distance. Then walk west to the scattered fragments of Yılantaş and look for the remains of the lion paw. The record made by the Swedish photographer Guillaume Berggren, who photographed Yılantaş in the 1870s, is one of the early documents showing the rock as it was 150 years ago. If you have time you can also go on to Maltaş, about 500 metres away. Maltaş is a large carved facade with a niche in the southwest corner of the valley, and it is well preserved because it lay under soil until recently. The Göynüş Valley also lies on the Phrygian Way hiking trail, which starts at Seydiler in Afyonkarahisar and runs to Yazılıkaya in Eskişehir. Marked with red and white signs, the trail passes through the valley and continues north towards Döğer. There is no road to every part of the valley and you walk between fields, so sturdy shoes and a supply of water are a good idea. As there is little shade, the morning and late afternoon are more comfortable than summer noon. For visiting conditions and possible arrangements, check the current announcements of the Afyonkarahisar Provincial Directorate of Culture and Tourism. Do not climb the monuments or touch the reliefs; the soft tuff rock wears away easily.
3
Aslankaya Anıtı

Aslankaya Monument.

~45 min here
Döğer Kasabası, Üçlerkayası Köyü yakını, İhsaniye / Afyonkarahisar

As the Culture Portal describes it, Aslankaya is reached by turning north-west at the 36th kilometre of the Afyonkarahisar-Eskişehir highway and following a road of about 2 kilometres. The monument lies within the boundaries of the town of Döğer in İhsaniye, on the shore of Lake Emre; the Turkish Wikipedia gives its distance from Döğer as 4 kilometres. The Frig Vadileri website notes that the monument can be seen right beside the road as you pass from Üçlerkayası to Lake Emre, so no long walk is needed. Leave the car in a safe place and look at the monument first from a little distance, together with the open ground around it. Frig Vadileri stresses that, unlike many Phrygian monuments, Aslankaya stands not inside a rock outcrop or at the foot of a hill but in open ground. The same source also notes that the monument occupies the position of a ceremonial area in the midst of the surrounding settlements. According to the Culture Portal, the monument is a facade with a triangular roof carved into the face of a high, steep rock and is thought to date from the 7th century BC. As you approach, look first at the roof, because on either side of the triangular pediment there are two winged sphinx reliefs facing each other. Then move round to the side face; on one side of the rock there is a large relief of a roaring lion rearing on its hind legs. The sources describe the side of the lion differently: the Culture Portal says the north side, while Frig Vadileri places it on the right as seen from the facade, so walk around the monument and find it yourself. Frig Vadileri reports that on the other side there is a much smaller four-legged animal figure whose species cannot be made out clearly because of the damage. According to the same source, the geometric patterned reliefs on the main facade are related to the decoration on the Maltaş and Midas monuments. On either side of the niche, carvings modelled like the leaves of a wooden door catch the eye. The Culture Portal writes that Cybele, the mother goddess of the Phrygians, was depicted in the niche between two lions; the Afyonkarahisar Municipality, however, states that this relief has not survived to the present day. Frig Vadileri writes that most of the heavy damage on the lower part was done with dynamite, which is why you see the lower section of the niche missing today. According to the same source, the monument was discovered by W. M. Ramsay in 1884, and at that time Old Phrygian inscriptions could be seen on the main beam. Frig Vadileri also reports that the inscriptions, unreadable because of erosion, could be made out again thanks to photographs taken with a special technique just after sunrise. This information is also a photography tip, because low morning light brings out the reliefs. The Turkish Wikipedia states that the tuff outcrop into which the monument is carved is about one kilometre long. The same article writes that the middle layer is badly eroded and that large pieces break away; so do not touch the monument and do not go too close to its base. After walking around the monument, you can spend a few minutes heading to the shore of Lake Emre and looking at the view between the outcrop and the plain. The sources do not say whether there is any entrance control or visitor arrangement at the site; check the current conditions with the Provincial Directorate of Culture and Tourism. Then return to the car and drive to the centre of the town of Döğer, as the caravanserai is only a few kilometres away.

Source: Kültür Portalı, Aslankaya; Frig Vadileri, Aslankaya Anıtı; Wikipedia, Aslankaya tapınağı.

The Aslankaya Monument is a Phrygian rock monument rising on the shore of Lake Emre in Döğer, a small town in the İhsaniye district of Afyonkarahisar. The Turkish Wikipedia states that the monument lies about 4 kilometres from Döğer, while Afyonkarahisar Municipality places it near the village of Üçlerkayası. It was made by dressing one face of a high, steep rock mass vertically and carving onto it a temple facade with a triangular gable. The Culture Portal and Wikipedia describe the facade on the south face of the rock; some travel sources, however, write that the monument faces east. Scholars date the monument to the 7th century BC. The rock into which the monument is carved consists of volcanic tuff and, according to Wikipedia, extends for about 1 kilometre. Because the middle layer of the rock is heavily eroded, large pieces break away, and in some parts the layering is clearly visible. Both side faces of the monument have also been cut vertically. According to the Culture Portal, a large roaring lion rearing on its hind legs was carved in relief on the north side of the rock. The head of this lion is badly worn today. On the opposite side there is a much smaller four-legged animal, and researchers debate whether it is a lion, a griffin or a sphinx. On either side of the triangular pediment two sphinxes, winged lions with human heads, face each other. The main facade is covered with geometric reliefs that recall the great Phrygian monuments at Yazılıkaya. In the niche at the centre of the facade the Phrygian Mother Goddess Kybele is known to have been depicted standing between two lions. This goddess, whom the Phrygians called Matar, is usually recognised in Anatolian archaeology by the lions at her sides. Afyonkarahisar Municipality writes that the relief in the niche has not survived; the inside of the niche and the lower part of the monument have been badly damaged. On both sides of the niche, carvings imitating a wooden door catch the eye. The monument was introduced to the scholarly world in 1884 by the researcher W. M. Ramsay. According to the Frig Vadileri website, at the time of discovery Old Phrygian inscriptions written from left to right could be seen on the main beam. These later worn inscriptions are reported to have been made readable again through photographs taken with a special technique just after sunrise. Another feature that sets Aslankaya apart among Phrygian monuments is its setting; it does not stand inside a rocky valley but rises on open level ground. Its position in the middle of many surrounding settlements supports the interpretation that there was a ceremonial area here. Its place at the centre of the other monuments of the region also draws the attention of researchers. When you visit, first stand a little way off and take in the whole rock mass and the proportions of the facade. Then come closer and study in turn the sphinxes on the pediment, the geometric patterns on the facade and the door carvings beside the niche. Walk around the rock and be sure to look for the large lion relief on the side face; this figure is the source of the monument's name, which means Lion Rock. In the morning and evening, when the sun is low, the raking light helps you make out the worn carvings more clearly. Do not touch the reliefs or climb the rock, because the tuff crumbles easily. Aslankaya can be seen right beside the road from İhsaniye to Döğer, on the stretch that runs from Üçlerkayası to Lake Emre. The Governorship of Afyonkarahisar presents Lake Emre as one of the stops on the migration route of flamingos. After seeing the monument you can go down to the lakeshore and then continue to the Döğer Caravanserai a few kilometres away. The Phrygian Way hiking trail, which runs from Afyonkarahisar to Yazılıkaya in Eskişehir, also passes through Döğer. For current information on visits and possible conservation work, contact the Afyonkarahisar Provincial Directorate of Culture and Tourism.
4
Döğer Kervansarayı

Döger Caravanserai.

~45 min here
Döğer Kasabası, İhsaniye / Afyonkarahisar

According to the Culture Portal, the Döğer Caravanserai stands within the town of Döğer, on the border of the provinces of Afyon, Kütahya and Eskişehir, on the old Hejaz road. You reach the town quickly by the road back from Aslankaya, because the turn-off from the highway is the same for both stops. First stand outside the building and follow the long facade from end to end. The Turkish Wikipedia writes that the rectangular building, running in an east-west direction, is about 56 metres long and 13 metres wide. On the facade you will see two monumental doorways; one opens into the two-storey inn section and the other into the single-storey camel stable. Kültür Envanteri describes these doorways as crown gates in the form of an iwan. Because there is no inscription above the doorways, it is not known for certain who the architect was. The building was commissioned by Murad II in 1434, and the Turkish Wikipedia reports that the sultan stayed in Döğer during his campaign against the Karamanids. The Culture Portal describes the building as a unique work of the early Ottoman period. Look closely at the walls, because the outer faces, the roof and the conical caps of the domes are faced with cut blocks of tuff, the stone typical of the area. According to the Turkish Wikipedia, the rock into which Aslankaya, which you saw at the previous stop, was carved is also tuff. Roughly two thousand years apart, the stone of the same region served first as material for a monument and then for a roadside inn. In the inn section the lower floor was arranged for rest and shared use, while the upper floor was for travellers to stay in. Kültür Envanteri writes that two of the rooms on the upper floor are domed and the other has an arched vault, and that the central iwan was used as a small mosque. The Culture Portal adds that the upper rooms have windows and fireplaces. The camel stable is a wide, high, single open space set aside for sheltering, feeding and caring for the animals. The Turkish Wikipedia states that in this section the fireplaces are found only on the entrance facade and that light and air come through slit windows. If you are able to go inside, look at the narrow beams of light filtering through the slit windows; check the visiting conditions for the interior with the Provincial Directorate of Culture and Tourism before you go. The General Directorate of Foundations restored the building in 1991-1993, and in 2007 landscaping was carried out around it and the inner and outer walls were reinforced. Kültür Envanteri also notes that the German researcher Robin Wimmel visited and examined the building in 2008 and recorded it. The Turkish Wikipedia writes that, with its plan scheme and its hidden ventilation system, the building is regarded as one of the advanced examples of Anatolian caravanserai architecture. For photographs, shoot the facade from a slightly diagonal angle so that both crown gates fit into the same frame. The route ends here, and you will have completed the day by following a timeline that stretches from Phrygian rocks to an Ottoman roadside inn. On the way back, head south on the same highway towards Afyonkarahisar, or continue north towards Eskişehir.

Source: Kültür Portalı, Döğer Kervansarayı; Kültür Envanteri, Döğer Kervansarayı; Wikipedia, Döğer Kervansarayı.

The Döğer Caravanserai is an Ottoman caravanserai standing in Döğer, a small town in the İhsaniye district of Afyonkarahisar. The Culture Portal states that the building lies on the historic Hejaz road, at a point close to the borders of the provinces of Afyonkarahisar, Kütahya and Eskişehir. The caravanserai was built in 1434 by Sultan Murad II. According to the Turkish Wikipedia, the sultan stayed at Döğer during his campaign against the Karamanid Beylik and had the building constructed at that time. The Culture Portal presents it as a distinctive work of the early Ottoman period. The building has a rectangular plan running east to west. Wikipedia gives its length as about 56 metres and its width as about 13 metres. The caravanserai consists of two adjoining parts: a two-storey inn section and a single-storey camel stable. Both parts are entered through monumental portals arranged in the form of an iwan. As there is no inscription above the doors, nothing is known for certain about the architect of the building. The camel stable is the section where the travellers' animals were sheltered, fed and cared for. It was designed as a wide, high space with a single span. The hearths are found only on the entrance facade, while light and ventilation come through narrow slit windows. The ground floor of the inn section was arranged as a resting and common area. The upper floor holds the rooms where travellers stayed, and the Culture Portal writes that these rooms had windows and hearths. The main rooms are covered with domes, the others with barrel vaults. The iwan in the middle of the upper floor was arranged as a small prayer room, lit by a mihrab niche and slit windows. Wikipedia also notes that the rooms had separate arrangements for heating, preparing food and washing. The outer walls, the roof and the two conical dome caps of the building are faced with cut blocks of the local tuff stone. The inn and the stable were treated as separate masses, and this division is easy to read from outside as well. Because of its plan and its hidden ventilation system, the building is regarded as an advanced continuation of the Seljuk caravanserai tradition. The German researcher Robin Wimmel examined and documented the caravanserai on 21 August 2008 and included it in his doctoral study on Ottoman caravanserais at the Technical University of Berlin. The caravanserai was restored by the General Directorate of Foundations between 1991 and 1993. In 2007 the surroundings were landscaped and the inner and outer walls were reinforced. The Kültür Envanteri database notes that the building provided lodging for travellers and caravans on historic trade and pilgrimage routes. Begin your visit outside and walk along the long facade, comparing the two separate portals and the difference between the inn and stable masses. You need to step back a little from the facade to see the dome caps and the roof. If the building is open, look at the light filtering through the slit windows into the high, wide interior of the stable. Since access to the interior and visiting conditions can change, check the current situation with the Afyonkarahisar Provincial Directorate of Culture and Tourism. According to the Culture Portal, Döğer is reached by a road that branches northwest from the Afyonkarahisar-Eskişehir state highway. The town is known as a place that lives from growing poppies, sugar beet, wheat and potatoes. The Aslankaya Monument and Lake Emre are a few kilometres away, so it is easy to visit the caravanserai on the same day as the Phrygian monuments. The Phrygian Way hiking trail, which runs from Afyonkarahisar to Yazılıkaya in Eskişehir, also passes through Döğer, so the caravanserai can also be added to a walk as a resting point.

Route Map

Route Info
CityAfyonkarahisar Merkez, Afyonkarahisar
TypeCultural
Stop4
DateOctober 19, 2026
Radar TürkiyeAuthorRadar TürkiyeStart Route